The following are excerpts from a 30 page research paper by Dr. Leonard Horowitz on the Rockefeller Foundation’s agenda of mass mind control using sound, music, media manipulation and the institution of 440Hz as the world standard for instrument tuning.
By Dr. Leonard G. Horowitz
Assuming the field of physics, including biophysics, is valid, and the universe,including life, is primordially constructed energetically–mathematically/harmonically/musically–energy (including bio-energy or spirituality as a medium of consciousness) impacts us physically very powerfully, and is mediated vibrationally, really hydro sonically, through sounds’ effects on water.(6)
Water, nearly eighty percent of human body weight, is a liquid crystal superconductor.“Structured water” science,(7) as well as the field of electro-genetics,(6) proves this thesis adequately, given light (photons) and sound(phonons) have been shown to signal communications within and between cells ,via a liquid crystal proteo-glycan matrix in cells and tissues.(6) This strongly evidences the theory of hydrosonic creationism involving DNA and structured water.(7)Thus, bio-creation and health restoration may have more to do with frequencies of sound energy, or music, than has been thought.
There are a lot of people who consider modern music annoying. Many become emotionally disturbed listening to certain types of music. What few people realize, regardless of the type of music played in the Western World, the standard Anglo-American tuning for instruments and voices was instituted at the same time, by the same agents and agencies, advancing acoustic war studies for inducing “mass hysteria.”(8)
Analyzing the antecedents of current geopolitics and economics, this dirty fact of musical history may be foundational to the status-quo, and instrumental to contemporary sociocultural crises, including modern pandemic psychopathology.
Throughout history there have been persons of wealth and power engaged in war-making, profiteering, and various methods of population control. In 1770,for instance, Mayer Amschel Bauer (a.k.a., Rothschild) developed plans for the creation of the Illuminati, advancing the mission of global domination through a network of central banks that his family and their silent partners controlled.(9 ,10) Many reputable authors track today’s degenerative socioeconomic trends, and aboriginal genocides, to the Illuminati’s powerful influence administered through private organizations controlling multi-national corporations and governments (i.e., secret societies and governing councils, such as the Council on Foreign Relations).(6-15)
“As a result of this influence,” wrote Thomas D. Schauf, in a controversial review article and commentary urging the termination of the un-American Federal Reserve Bank, and the offshore bankers’ control over the U.S. Treasury, “the arc of Western Civilization has gone from ‘ascent’—belief in God—focused on the higher centers of love, joy, purity and selflessness, to descent . . . focused on the lower centers of consciousness like those of power, wealth and physical gratification. The apex was called the ‘Enlightenment,’ when the ‘Illuminated ones’—a Luciferian term meaning ‘keepers of the light’—took over for God.Typical of Satan, decline into moral darkness is represented as light.”(11)
Light and sound is generated and measured mathematically, according to frequencies. It stands to reason then, following Schauf’s empirically evidenced thesis, we are engaged in a “conspiracy reality” in which ultimate power and control is waged bio-energetically (i.e., bio-spiritually), through frequency modulations or electromagnetic manipulations affecting “consciousness” and impacting biology, physiology, and human behavior.
The Rockefeller Foundation and Military Music
In 1913, the Rothschilds set up their third and current central bank in America, the Federal Reserve Bank,with the help of their agents JP Morgan and JD Rockefeller, whose investments in American industry had been Rothschild-financed since 1865. (9 ,11)
World Wars I and II evidence the banking cartel’s profitable depopulation politics and policies. For instance, in 1914, at the beginning of World War I, the German Rothschild bank loaned money to the German government, the British Rothschild bank loaned money to Britain, and the French Rothschild bank loaned money to the French government.War propaganda served the Rothschild’s geopolitical and financial agendas, and was provided by the three main European news agencies, Wolff in Germany,Reuters in England, and Havas in France, each financed by Rothschild banks. (9 , 11)
Between World Wars I and II, accelerating during the 1930s, scientific studies in musical frequencies best suited for war-making were funded by the Rothschild-Rockefeller alliance, represented by the Rockefeller Foundation and U.S. Navy.(8-11)
A major objective of this war, and profitable population control, research was to determine the musical factors capable of producing psychopathology, emotional distress, and “mass hysteria.”(8)
Academically directed by grants provided by the Rockefeller Foundation, in concert with the US Navy and National Defense Research Council according to the foundation’s archives, acoustic energy researchers, including Harold Burris-Meyer, an audio engineer and drama instructor at New Jersey’s Stevens Institute of Technology, were commissioned.(8)
Burris-Meyer is best known for providing consulting services to the Muzak Corporation, “which used his expertise to optimize sound installations in factories so that emotional motivation of workers achieved through music would not be adversely effected by factory noise . . ,”wrote James Tobias , a Professor of English at the Univ. of Calif.(8)
Tobias reviewed Rockefeller Foundation(RF) archives, and documented investigations leading to psychological warfare applications of acoustic vibrations,ultimately advanced militarily and commercially.(8)
Burris-Meyer, according to Tobias, contributed to the Department of Defense during World War II, “including building speaker arrays deployed on warplanes such that enemy combatants could be addressed from the air” to produce psycho-emotional affects leading to“mass hysteria.”(8)
Additionally, the Princeton Radio Project played a role in this research. This occurred precisely at the time the atomic bomb Manhattan Project was beginning at Princeton involving Albert Einstein at the Institute for Advanced Study (IAS).(12)
Poisonous Medicine and the Rockefeller Foundation’s Investments in Sickening “Music”
The Rockefeller Foundation’s Assistant Director for the Humanities at the time Flexner compiled his report was John Marshall, who along with the authors of Composing for the Films (Oxford University Press, 1947) Hanns Eisler and Theodor Adorno, were featured performers in the musical projects serving military and commercial interests, juxtaposed with artistic and philanthropic objectives.
Although Eisler or Adorno appear to be innocent of wrongdoing, according to Tobias, both were unfavorably treated by project officials. Eisler opposed the militarization of music used for cultural manipulation, and was eventually deported following years of harassment by the Federal Bureau of Investigation(FBI). This publicity generated embarrassment for the Rockefeller Foundation.
“This research report is presented here with the author’s permission but should not be cited or quoted without the author’s consent. . . .“Rockefeller Archive Center Research Reports Online is a periodic publication of the Rockefeller Archive Center. . . . intended to foster the network of scholarship in the history of philanthropy and to highlight the diverse range of materials and subjects covered in the collections at the Rockefeller Archive Center. The reports are drawn from essays submitted by researchers who have visited the Archive Center, many of whom have received grants from the Archive Center to support their research. The ideas and opinions expressed in this report are those of the author and are not intended to represent the Rockefeller Archive Center.”